Born: Washington D.C, 1975 Live/Work: New York
EDUCATION 2002 School of Visual Arts, Master of Fine Arts, New York, New York 1997 Bates College, Bachelor of Arts, Lewiston, Maine SOLO EXHIBITIONS 2009 Franco Soffiantino Arte Contemporanea, Turin, Italy 2008 Smith-Stewart Gallery, New York, New York (November) Catharine Clark Gallery, San Francisco, California (November) University of North Texas Art Gallery, Denton, Texas (November) Tyler School of Art, Philadelphia, Pennsylvania (October) Institute of Contemporary Art, Philadelphia, Pennsylvania “Girl Fight”, Artpace San Antonio, San Antonio, Texas "The Breakers", Maisterravalbuena Galeria, Madrid, Spain CESAC Centro Sperimentale Per Le Arti Contemporanee, Caraglio, Italy 2006 “Experimental Personalities: Kate Gilmore and Angie Reed”, Contemporary Art Center, Cincinnati, Ohio “Hopelessly Devoted”, Pierogi Gallery, Brooklyn, New York 2005 “Kate Gilmore”, Real Art Ways, Hartford, Connecticut 2004 "On My Way to the Prom, the World Collapsed on My Head", White Columns, New York, New York “If My Shoes Matched My Dress I Could Destroy You”, Plus Ultra Gallery, Brooklyn, New York
2008 "Perverted by Theater", Apex Art, New York, New York (October) “Alternating Beats”, RISD Museum of Art, Rhode Island School of Design, Providence, Rhode Island (October) "Number 2: Fragile", Julia Stoschek Collection, Dusseldorf, Germany (October) “Held Together With Water”, Sammlung Verbund at the Istanbul Museum of Modern Art, Istanbul, Turkey “Destroy, She Said”, Pinchuk Art Center, Kiev, Ukraine "Jack #%ss", Susan Inglett Gallery, New York, New York "Beware of the Wolf", American Academy in Rome, Rome Italy “Environments and Empires”, Rose Art Museum at Brandeis University, Waltham, Massachusetts "Diamond Dogs", Galeria Casado Santapau, Madrid, Spain "The Best Artwork in the World (on the Portrait of the Artist)", Charro Negro Galeria, Guadalajara, Mexico “La Nave dei Folli”, Porta S.Agostino, Bergamo, Italy "Open Video Projects", Marta Herford Museum, Herford, Germany “Colloque Cest Mon Genre”, Ecole Regionale Des Beaux-Arts De Nantes, Nantes, France “Video Now: Artists Working in the Spirit of Bruce Nauman”, The Menil Collection, Houston, Texas “The Leisure Suit”, Leroy Neiman Gallery, Columbia University, New York, New York “Media Project”, Fringe Exhibitions, Los Angeles, California “Make You Notice”, San Francisco Art Commission Gallery, San Francisco, California “(Untitled) U=____”, Fette’s Gallery, Los Angeles, California 2007 "Held Together With Water, Sammlung Verbund at the MAK Museum of Applied Arts Vienna", MAK Museum of Applied Arts Vienna, Vienna, Austria “Red Badge of Courage”, Newark Council for the Arts, Newark, New Jersey “Making Noise”, South Street Seaport Museum: Melville Gallery, (Lower Manhattan Cultural Council), New York, New York “Destroy, She Said”, Julia Stoschek Collection, Dusseldorf, Germany “Ceci n’est pas… (This is not…)”, Sara Meltzer Gallery, New York, New York “Foam of the Daze”, Smith-Stewart, New York, New York “(Un)Natural Selection”, Pierogi Gallery, Brooklyn, New York “Line-Up”, Socrates Sculpture Park, Long Island City, New York “Come One Come All”, 3rd Ward, Brooklyn, New York “Architecture and Design Biennial”, Tel Aviv, Israel “What F Word?” Cynthia Broan Gallery, New York, New York “The Feminine Mysterious”, Red Dot Contemporary, West Palm Beach, Florida “I Could Be You”, Akademie Schloss Solitude, Stuttgart, Germany “MASH”, The Helena: Cottelston Advisors, New York, New York “Out of the Loop”, BICA, Brooklyn, New York “L'axe Bartholdi” La Vapeur, Dijon, France 2006 “Reckless Behavior”, J. Paul Getty Museum, Los Angeles, California “Heart Breaker”, Mary Boone Gallery, New York, New York “Mixed Emotions”, Haifa Museum of Art, Haifa, Israel “Twist it Twice”, Moti Hasson Gallery, New York, New York "Factitious”, Pierogi Leipzig, Leipzig, Germany “Factitious”, Pierogi Gallery, Brooklyn, New York “Semiannual”, Monkeytown, Brooklyn, New York “Ionesco's Friends”, Franco Soffiantino Arte Contemporanea, Turin, Italy “Wild Girls”, Exit Art, New York, New York “Open Network”, Ampersand International Arts, San Francisco, California “Love”, Ferragamo Gallery/Project Space, New York, New York “The Studio Visit”, Exit Art, New York, New York 2005 “Greater New York 2005”, PS1/MoMA Contemporary Art Center, Long Island City, New York “Video Screening”, Hudson Valley Center for Contemporary Art, Peekskill, New York “Codependent”, The Living Room, Miami, Florida “Holiday Windows”, Exit Art, New York, New York "It Is The Same Outside”, Drake Hotel, Toronto, Canada “Me, Myself and My Emotions”, Tastes Like Chicken Art Space, Brooklyn, New York “The Expression of Elemental Passions... (or, Damn Everything by the Circus)”, Plus Ultra Gallery, Brooklyn, New York “Video 2005”, Art in General, New York, New York 2004 “Open House: Working in Brooklyn”, Brooklyn Museum of Art, Brooklyn, New York “Beginning Here: 101 Ways”, Curator: Jerry Saltz, Visual Arts Gallery, New York, New York “Tokyo- Chicago-New York”, Tokyo National University of Fine Art and Music, Tokyo, Japan “Sympathetic Nerve”, Capsule Gallery, New York, New York “The Truck Stops Here”, Plus Ultra Gallery, Brooklyn, New York “Six Outdoor Projects”, Long Island University, Brooklyn, New York “Slice and Dice”, Visual Arts Gallery, New York, New York “Transmotion”, Lower Manhattan Cultural Council, New York, New York “1800 Frames 2004”, City Without Walls, Newark, New Jersey 2003 “AIM 23”, Bronx Museum of Art, Bronx, New York “The Reconstruction Biennial”, Exit Art, New York, New York “Site-Specifics”, The Islip Art Museum: The Carriage House, East Islip, New York “Video 825”, Gallery 825 LAAA, Los Angeles, California “ARTNEW YORK”, Kunstraume auf Zeit, Linz, Austria AWARDS/RESIDENCIES 2007 The Rome Prize, American Academy in Rome, Rome, Italy Art Omi, Ghent, New York 2006 Franklin Furnace Fund for Performance, Brooklyn, New York Visiting Scholar, New York University, New York, New York Farpath Workspace Award and Residency, Dijon, France 2005 New York Foundation for the Arts Fellowship (NYFA), New York, New York Lower Manhattan Cultural Council Workspace Award, New York, New York 2003 Lower Manhattan Cultural Council Manhattan Community Arts Grant, New York, New York Artist in the Marketplace: Bronx Museum of Arts, Bronx, New York Artists Space: Independent Project Grant, New York, New York BIBLIOGRAPHY 2008 Edward Sozanski, "Art and Entertainment", PHILADELPHIA INQUIRER, September 14, 2008 Natalie Hope Mcdonald, “On The House”, CITY PAPER, September 2008 Alicia Puglionesi, "Art in a Tight Spot', PHILADELHIA INQUIRER, September 2, 2008 Marisa Olson, "Rhizome News: Walking on Coals, er...Sunshine", RHIZOME, August 27, 2008 Kristen Lorello, "goldiechiari and Kate Gilmore", MUSEO, Issue No. 9, June 2008 John C. Welchman (editor), Glenn Phillips (contributor), THE AESTHETICS OF RISK (catalogue), Southern California Consortium of Art Schools Rachel Cook, "Kate Gilmore", ART LIES, Summer 2008, p.107 Genevieve Quick, "Make You Notice", SHOTGUN REVIEW, April 19, 2008 Summer Sewell, "The Hot List", 7x7 SF , April 2008 Nirmala Nataraj, "Turning Heads", SF WEEKLY, March 28, 2008 Matt Wolf, "Love is Our Battlefield", SAN ANTONIO CURRENT, March 26, 2008 Taylor Reynolds, “Not Your Average Girl Fight”, THE PAISANO, March 4, 2008 Jessica Belasco, “Artists Videos Explore Struggle, Identity, Failure, “ CHICAGO TRIBUNE, March 3, 2008. Alessandro Facente, “Kate Gilmore”, DROME, February 2008. Jessica Belasco, “Performance Artist Throws Herself into Her Work”, EXPRESS NEWS, February 12, 2008 Chris Bergeron, “Seeing is Believing”, THE DAILY NEWS, February 3, 2008 J.L Requena, “Que Hacen”, TELVA, February 2008, p. 59. Matthew Drutt, “Kate Gilmore: Hudson Showroom”, ARTPACE GALLERY NOTES, January 2008 Marisa Olson, “Topsy Turvy Tales”, RHIZOME, January 30, 2008 2007 Angela Vettese, “Innamorati delle Fiere”, IL SOLE 24, November 4, 2007, p.39. William Hanley, “For Whom the Belle Toils”, ARTNEWS, October 2007, p. 134-136. Dan Halm, “Portfolio: Kate Gilmore”, VISUAL ARTS JOURNAL, Fall 2007, p. 18-21. Yaelle Amir, “Kate Gilmore”, ART US, March/April 2007, p. 43. David Coggins, “Kate Gilmore at Pierogi”, ART IN AMERICA, March 2007, p.175-176. Shani Lipman, Look in the Jar”, TIME OUT ISRAEL, March 29, 2007, p.148. HAARETZ, “Video Art”,March 29, 2007 Sarah Schmerler,“Tour de Force”, TIME OUT NEW YORK, February 22-28, 2007, p.20. Julia Bainbridge, “Industrial Art”, NYLON, February 22, 2007 Jerry Saltz, ”Maximum Voracity”, THE VILLAGE VOICE, January 10, 2007. “Kate Gilmore/ David Scher”, THE NEW YORKER, December 25, 2006 & January 1, 2007, p.30. 2006 JW, “Kate Gilmore: Hopelessly Devoted”, FLAVORPILL, December 19-25, 2006 Benjamin Genocchio, “Kate Gilmore”, NEW YORK TIMES, November 24, 2006, p, E29. Jacquelyn Vaughn, “Contemporary Art Center: Experimental Personalities”, CITY BEAT: CINCINNATI, November 15-21, 2006, p.27 Ana Finel Honigman, “Kate Gilmore in Conversation with Ana Finel Honigman”, SAATCHI GALLERY. CO.UK, November 13, 2006 Nick Stillman (editor), “Rants and Raves”, NYFA CURRENT, November 2006. Calendar, MODERN PAINTERS, November 2006, p. 124. HGM, “Wild Girls”, FLAVORPILL, August 22-28, 2006 Walter Robinson “Artnet News”, ARTNET, June 22, 2006 Jerry Saltz, “Desperata”, VILLAGE VOICE, May 3, 2006. Jerry Saltz, “Desperata”, ARTNET, May 3, 2006. Patricia Maloney, OPEN NETWORK: BROOKLYN, Catalog, Ampersand International Arts, May 2006. Tami Katz-Freiman, MIXED EMOTIONS, Catalog, Haifa Museum of Art, 2006. Holly Willis, “Reckless Behavior”, LA WEEKLY, April 12, 2006. Christopher Reiger, “For All of Us, It's All About Me”, SCRAWLED, March 2006. Lauren Kawana and Rachael Garbowski, “Alumna Kate Gilmore Succeeds Outside the Bubble”, BATES STUDENT, March 2006. Luca Vona, “Ionesco's Friends”, EXIBART, March 3, 2006. Olga Gambaru, “Quatro Artisti Espongono da Soffiantino”, LA REPUBBLICA, January 28, 2006. 2005 Alanna Heiss, Klaus Biesenbach, Glenn D. Lowry, GREATER NEW YORK 2005, Catalog, PS1/MoMA Contemporary Art Center, 2005. Olltta Aram, “New York Contemporary Art Scene”, ART AND DESIGN PRESS: CHINA, 2005 Stephanie Simon, “Local Artists Create Unique Window Display in Midtown”, NY1 NEWS, December 5, 2005 Stephen Maine, “Dateline Brooklyn”, ARTNET, October 5, 2005. Julie Fishkin, “Greater New York 2005”, NY ARTS, May/June 2005, p.16-17. David Rimanelli, "Greater New York 2005", ARTFORUM, May 2005, p.240. Julie Fishkin, “Greater New York 2005”, ART FAIRS INTERNATIONAL, May 2005. Alice Thorson, “P.S.1 show of Emerging Artists has links to KC”, KANSAS CITY STAR, April 24, 2005. Arlene McKanic, “Art Overrun Walls, Floors at PS1 Show”, TIMES LEDGER, March 31, 2005. Jerry Saltz,“Lesser New York”, VILLAGE VOICE, March 30, 2005, p.77. Jerry Saltz, “Lesser New York”, ARTNET NEWS, March 30, 2005. Patricia Rosoff, “The Artists Wore a Lens”, HARTFORD ADVOCATE, March 24, 2005. Ariella Budick, “Humor Is Their Oeuvre”, NEWSDAY, March 20, 2005. Michael Kimmelman, “Youth and the Market: Love at First Sight”, NEW YORK TIMES, March 18, 2005, Sec. E: 41. Kate Ebner, “Kate Gilmore”, Catalog, REAL ART WAYS, 2005. Benjamin Genocchio, “From Young Artists, Work That Reverberates”, NEW YORK TIMES, March 13, 2005, p.10. Stephen Maine, “Dateline Brooklyn”, ARTNET, February 4, 2005. On/Megumi Akiyoshi, Hiroko Saito, Shannon Schmidt (editors), VOICE OF SITE: TOKYO-CHICAGO- NEW YORK, Catalog, Tokyo University of Fine Arts and Music, January 2005 2004 Gregory Volk, “Big Brash Borough”, ART IN AMERICA, September 2004, p. 97. Matthew Friedman, SIX OUTDOOR PROJECTS AT LIU, Catalog, Long Island University, August 2004. Jerry Saltz, “Borough Hall”, THE VILLAGE VOICE, April 28, 2004, p.88. Jerry Saltz, “Borough Hall”, “ARTNET”, April 28, 2006 Charlotta Kotik and Tumelo Mosaka, OPEN, Catalog, Brooklyn Museum of Art, April 2004. 2003 Ken Johnson, “Art Guide: Museums”, THE NEW YORK TIMES, August 22, 2003, Sec. E: 22 Ken Johnson, “From Small Sculptures to Glimpses of Signs, A Mix of Works in the Bronx”, THE NEW YORK TIMES, August 15, 2003, Sec. E: 30. Helen Harrison, “Art Reviews: Site Specifics ‘03”, THE NEW YORK TIMES, July 15, 2003. Karen Shaw, SITE SPECIFICS ’03, Catalog, Islip Art Museum: The Carriage House, June 2003. William Powhida, “Exit Biennial: The Reconstruction”, THE BROOKLYN RAIL, June/July 2003. Lydia Yee and Amy Rosenblum Martin, AIM 23, Catalog, The Bronx Museum of Art, July 2003. Kim Levin, “Exit Biennial: The Reconstruction”, VILLAGE VOICE, April 30, 2003, p.72 Roberta Smith, “A Space Reborn With a Show That’s Never Finished”, THE NEW YORK TIMES, April 4, 2003, Sec. E: 37. TEACHING/LECTURES 2005/2006-Present Visiting Assistant Professor of Time Based Media, SUNY Purchase, Purchase, New York School of Visual Arts, New York, New York 2008 University of Pennsylvania,Philadelphia, Pennsylvania Institute of Contemporary Art, Philadelphia, Pennsylvania Rhode Island School of Design, Rome, Italy Rose Art Museum of Brandeis University, Waltham, Massachusetts Artpace, San Antonio, Texas 2007 American Academy in Rome, Rome, Italy Virginia Commonwealth University, Richmond, Virginia Parsons, New York, New York New York Studio Program, New York, New York Lower Manhattan Cultural Council, New York, New York 2006 SUNY Purchase, Purchase College RISD, Rhode Island School of Design, Providence, Rhode Island Tyler College of Art, Philadelphia, Pennsylvania Maryland Institute College of Art, Baltimore, Maryland New York University, New York, New York Bates College, Lewiston, Maine School of Visual Arts, New York, New York 2005 Hunter College, New York, New York Hudson Valley Center for Contemporary Art, Peekskill, New YorkSchool of Visual Arts, Summer Residency Program: Sculpture/Multimedia, New York, New York Ohio State University, Columbus, Ohio Real Art Ways, Hartford, Connecticut 2004 University of New Jersey, Edison, New Jersey Tokyo National University of Fine Art and Music, Tokyo, Japan
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